Art House

On September 30, the National Day for Truth and Reconciliation, Canadians acknowledge the harms and multi-generational effects of the residential school system on Indigenous peoples and their communities across the country. 

The AFA also recognizes the importance of Indigenous Peoples’ contributions in and through the arts, as well as the important role the arts can play in the process of reconciliation. The AFA continues to support a thriving Indigenous arts sector in Alberta and provides funding specifically for Indigenous Arts individual artist projects. We are also proud to hold more than 275 artworks by Indigenous artists in the AFA Art Collection.

Featured artwork

In 2025, on the National Day for Truth and Reconciliation, the AFA is pleased to feature Ancestors (Keepers), 1991, by Dr. Joane Cardinal-Schubert. 

This piece is part of the Letter to Emily series, a deeply personal and evocative body of work. The series was inspired by Cardinal-Schubert’s interest in the life and legacy of Canadian artist Emily Carr. Cardinal-Schubert initiates a visual and textual dialogue with Carr through large-scale paintings that layer text and symbolic imagery.

These diaristic reflections explore themes of identity, memory, and cultural continuity. In this intimate exchange, Cardinal-Schubert not only contemplates Carr’s experiences but also affirms her own voice as a keeper of ancestral knowledge and Indigenous presence within the narrative of Canadian art.

Artist profile

Kainai/Blood artist, Dr. Joane Cardinal-Schubert was a multi-media, visual, and installation artist, a writer, lecturer, free-lance curator and director of film and theatre. Her writing has been published nationally and internationally in art magazines, catalogues and books and she has also served as an editor of Fuse magazine.

Cardinal-Schubert was instrumental in guiding the AFA in 2008 and 2009 in a special curatorial initiative focused on building up the holdings of the AFA Art Collection with contemporary Indigenous art. Her wisdom and guidance helped to significantly enhance the AFA’s holdings from Indigenous artists. She also provided an avenue to acquire artworks by Indigenous artists previously unknown to the AFA Art Collection and built new relationships with Indigenous artists along the way. Among the holdings of artworks in the AFA Art Collection, 23 artworks were created by Cardinal-Schubert.

Celebrate Indigenous art

Cardinal-Schubert’s Ancestors (Keepers) is currently on display as part of the New Views exhibition at the AFA art house in Calgary. Among the 50 artworks currently included in New Views, 20 per cent of them are by Indigenous artists. Other Indigenous artists featured in this exhibition include:

• Brandon Atkinson
• MJ Belcourt
• Maureen Callihoo
• Kiona Callihoo Ligtvoet
• Nancy Desjarlais
• Alex Janvier
• Jane Ash Poitras

Closure notice

In respect of the National Day for Truth and Reconciliation, the AFA’s offices in Edmonton and Calgary, and the AFA art house will be closed. We will be open again on October 1. 

Black History Month in Alberta celebrates the contributions of Black Albertans to our communities and cultural fabric, including in the arts.

The AFA is pleased to share Dine (2021) by Braxton Garneau. This artwork is currently on display in the New Views exhibition at the AFA art house in Calgary, which has free admission.

About the artwork

Dine is part of a series of five works by Braxton Garneau that was included in the …bring a folding chair exhibition organized by the Art Gallery of Alberta in 2022 for the AFA’s Travelling Exhibitions (TREX) program. The exhibition was curated by Shane Golby. It was inspired by Black History Month and recognizes the significant contributions Black Canadians – particularly Black artists – make to Alberta.

This piece joined the AFA Art Collection when it was purchased as part of the Art Acquisition by Application program in 2024.

Since the mid-1800s, the Black community has had a long and rich history in Alberta. However, even in 1944, many restaurants in Edmonton discriminated against Black people and banned them from their restaurants. 

The year 1944 is when Hatti Melton opened Hatti’s Harlem Chicken Inn in downtown Edmonton, serving up her own recipes of fried chicken, biscuits, hot tamales, steak, and more. The restaurant became a hub for the Black community and became known as the Black gathering spot for travellers, celebrities, and athletes. 

To Hatti, the place was more than just a business. It was a way for her to provide jobs to women in her community who, because of racial discrimination, otherwise wouldn’t be able to find meaningful work. It was also a way for Hatti to provide food for people who couldn’t afford it.

When it comes to the history and experience of Black Canadians, they have always been at the table, but the story hasn’t always been recognized, appreciated, or acknowledged. This artwork, which depicts Hatti Melton whipping up a dish, is about being heard and being seen and the more we tell these unique stories, the more they become everyone’s story.

About the artist

Braxton Garneau is a visual artist based in amiskwaciwâskahikan (Edmonton, Canada). He holds a BFA from the University of Alberta and has had solo exhibitions at the Art Gallery of Alberta, Edmonton (2024), GAVLAK, Los Angeles (2023) and Stride Gallery, Calgary (2021). 

Creative practice

With a focus on painting, sculpture, printmaking and installation, Garneau’s practice is rooted in materiality, costuming and transformation. Working in-between cultures, he combines visual influences from classical and contemporary forms with material investigations to consider cultural, social and historical implications. 

Garneau’s work investigates transformation through both natural cycles and the inherent human tendency for adornment, costuming and masquerade. Connecting materials, customs and clothing, he explores the ability of the natural world, and of the people in it, to adapt and transmute to whatever circumstances they may find themselves in.

Exhibitions and recognition

His work was featured in the retrospective exhibition Black Every Day at the Art Gallery of Alberta (2021), It's About Time: Dancing Black in Canada 1900 - 1970 and Now at Mitchell Art Gallery, Edmonton (2020), curated by Seika Boye, and New Direction, curated by AJ Girard and Artx at Château Cîroc, Miami, Florida (2021). 

In 2024, his work Pitch Lake (Pietà) was acquired by the Museum of Contemporary Art San Diego through the Northern Trust Purchase Prize at EXPO Chicago, and he was awarded the Lieutenant Governor of Alberta Emerging Artist Award. He opened a solo exhibition at Efraín López in New York, NY in September 2024, and was accepted into the International Studio & Curatorial Program (ISCP), Brooklyn, NY in 2025.

More information

Learn more about the New Views exhibition at AFA art house.